偷蛋的龙 [sunnycyw]
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赶快要换人了 听到没有
波兰11号可以伐？
有懂柔道的嘛？
出N73和MX518
发贴日期：
2008-07-08 [ 0人评论过 ]
N73是去年四月的黑色行货 全套发票都在 多了弘毅电池 1G卡 AD41线控耳机 不过耳机不知道是不是原装的 不过功能上用了没有问题 机器成色一般 主要是通话键和摇杆的成色惨点 别的对方还可以 就出1100
MX518 忘记什么时候买的了 好像是去年2月 买了打魔兽用的 现在换笔记本 也不玩了 给有需要的兄弟吧 手大的朋友用起来还是很舒服的 好像坏了还能换新的 呵呵 就出 120吧 图片都上到相册里
MX518 忘记什么时候买的了 好像是去年2月 买了打魔兽用的 现在换笔记本 也不玩了 给有需要的兄弟吧 手大的朋友用起来还是很舒服的 好像坏了还能换新的 呵呵 就出 120吧 图片都上到相册里
溏心风暴
发贴日期：
2008-06-16 [ 11人评论过 ]
有看的TF挖？那个老LIBA女真是把LIBA精神发挥到极致了
收个2610
发贴日期：
2008-04-21 [ 7人评论过 ]
成色要新的 3号线或者徐家汇 中山公园可以交易 QQ87422366 13564456752
好心人进来
发贴日期：
2008-04-13 [ 0人评论过 ]
帮忙翻译下
A Design Manual
We human beings haven’t evolved enough so that it’s possible to run before learning to walk. The same is true of any learing. Our minds have to start with fundamental“ first steps.” As we absorb information and try our first “mental” steps, we can “walk” with ideas and then “run” with them.
Sometimes, as full-fledged artists or teachers, we forget our own faltering “first steps.” We must remember that we didn’t always know what we know now. As designers, we will always be evolving.
What Design Is Supposed to Mean?
A design is a creative endeavor to solve a problem. A design is the end result-what you have when the problem is solved. It is the solution. Composition is the way the components, parts, or elements are used or arranged to reach the solution. A design has composition.
Design is all around us. We often say that something is well designd, especially if it functions well. We understand and aware of new designs in cars, clothing, and home furnishings, but look around you. The parts that make up these common designs are in nearly everything we know, whether designed by man or nature. These parts or components we call elements: LINE-SHAPE-TEXTURE-VALUE-COLOR-in a SPACE.
Kinds of Space
Technically, space is not considered an element, but it is so essential to understanding the concept of design that I would like to think of it as a part of our whole.
The page before this one is empty. EMPTY, NOTHING, negative, SPACE. Space is where we start to solve our design problem. Even if we are designing a three-dimensional building or a sculpture with height, width, depth, and volume (or weight), we would use paper for planning our design . That paper is a two-dimensional space, having only width and height.
What is a Line?
How do we describe a line? How does it differ from a shape? Can a line be a shape? Can a shape be a line? A line is a mark that is longer than it is wide and is seen because it differs in value or color from its background.
As small children, the first thing we draw on a piece of paper with a marker (or crayon, or pencil) is usually a squiggly line. What we experience then is the magic of seeing “something” appear on the paper.
A line is not usually thought of as a shape, but a shape can appear linear.
Kind of Line
Line as contour. We know that in drawing, line can create shapes. As older children we probably had our first coloring books to scribble in and to help us begin identifying objects. The coloring books had simple objects drawn by simple lines-outlines. That same “outline” is called a contour line, or a line that defines the outer edges of shapes. We use it constantly to begin our drawings.
But, to quote again from Robert Henri, “In considering lines as a means of drawing, it is well to remember that the line practically does not exist in nature.”
Contour lines are also often used in map design to show water depths or land contours-different elevations and shapes of land masses-as well as in architectural renderings and interior drawing.
Kind of shapes
丫雅的酒杯 17:52:40
This is a “rose.” We know it as a “thing,” an object we all recognize. We are now going to try and think of this rose as a shape, a source for other shapes, shapes in space.
The rose (an indentification title only) can be the source for many kinds of shapes that the design world puts into categories. One such category is natural shapes-shapes as we know them in their natural state, or from the world of nature. These are familiar to us. In other references, you may see them called organic or biomorphic.
What is Value?
Value is the range of possible lightness or darkness that can be achieved with the particular medium you are employing in your design. It is a surface quality of a shape or line, such as a black line or a black shape. The range is usually thought of as the extremes from black to while and the grays in between. This means that the range available to print a photograph may reach only 18 or 19 values, or possibilities, whereas with mixing pigments for a painting, or inks for printing, it may reach a considerably higher range.
When we draw with a black pencil, we usually add what is generally called “shading,” or medium to dark strokes, to give us the required darks and lights that we see. Just as a camera using black and white film, we are making a “value” interpretation of our colored world.
Most students have problems with values, especially in drawing. The reason for this is the relativity of values and learning to see the subtleties of values. Just about every design book has a value chart-and so do we. We explain that the values are relative. But what does “relative” mean?
What is texture?
Texture is the easiest element to describe because it is a visual surface quality. We are familiar with real texture, or a TACTILE surface, meaning that “which can be felt.” The element TEXTURE on a two-dimensional surface is usually a simulated tactile surface, mentally interpreted as tactile. However, many designs have a real surface texture, which may have been created by the medium or technique used, such as “impasto” painting (using paint thickly, perhaps laid on with a palette knife); or a “collage” (a construction of various materials glued on a two-dimensional surface). Both are examples of work having real texture. Our definition of TEXTURE is “having a simulated or real tactile surface.”
What is Color?
Color is EVASIVE-CONTRADICTORY, BEAUTIFUL, SENSUOUS, RELATIVE, DECEPTIVE, CONTRARY, LOVELY, FUN, LIVELY, MYSTERIOUS AND … PULCHRITUDINOUS!
Whole books have been written about color: What it is; what it isn’t; comparative analyses; what colors look good with what other colors or color harmonies; how colors affect us mentally, emotionally, and even physically. Color has been used to sooth us, excite us, and label us. The use of so many colors is mind-boggling. But we must remember, when speaking of the basic rudiments of design, that color is another element! It must be considered as one with the other elements and used as the other elements are used.
Many academic design courses are separated into two areas: DESIGN Theory and COLOR Theory. In this book, we will keep color in perspective, and consider it as only WHAT is necessary in the practice of design.
Analysis of Designs
IN A GIVEN SPACE ARE PLACED ELEMENTS: SHAPE, VALUE, LINE, TEXTURE, COLOR
ARRANGED USING THE PRINCIPLES OF: SPACE DIVISION, BALANCE, UNIFICATION, EMPHASIS
TO GIVE US A DESIGN.
IF WE NEED HELP MAKING OUR PRINCIPLES WORK FOR US, WE HAVE SAFETY NETS OR DESIGN “DEVICES”: SCALE, PROPORTION, PACEMENT, CROPPING, TENSION, RHYTHMIC, “DEVICES”, GRIDS, PATTERNS
CAN YOU TELL WHAT TIME OR YEAR IT IS?
ARE THE PEOPLE RELAXED OR FEELING HECTIC?
IS THE WEATHER COLD? WARM?
HOW DOSE THIS PAINTING MAKE YOU FEEL?
This, then, is the way we can look at a design, critique, analyze it, and learn from it.
Once you are comfortable applying this to different designs, you realize your eye is becoming trained to see these things. It becomes easier to look at contemporary works or applied design and see how these elements and principles are really used.
Then we know if the design is GOOD or EFFECTIVE design.
Then we can decide, finally, whether or not we personally LIKE the design!
A Design Manual
We human beings haven’t evolved enough so that it’s possible to run before learning to walk. The same is true of any learing. Our minds have to start with fundamental“ first steps.” As we absorb information and try our first “mental” steps, we can “walk” with ideas and then “run” with them.
Sometimes, as full-fledged artists or teachers, we forget our own faltering “first steps.” We must remember that we didn’t always know what we know now. As designers, we will always be evolving.
What Design Is Supposed to Mean?
A design is a creative endeavor to solve a problem. A design is the end result-what you have when the problem is solved. It is the solution. Composition is the way the components, parts, or elements are used or arranged to reach the solution. A design has composition.
Design is all around us. We often say that something is well designd, especially if it functions well. We understand and aware of new designs in cars, clothing, and home furnishings, but look around you. The parts that make up these common designs are in nearly everything we know, whether designed by man or nature. These parts or components we call elements: LINE-SHAPE-TEXTURE-VALUE-COLOR-in a SPACE.
Kinds of Space
Technically, space is not considered an element, but it is so essential to understanding the concept of design that I would like to think of it as a part of our whole.
The page before this one is empty. EMPTY, NOTHING, negative, SPACE. Space is where we start to solve our design problem. Even if we are designing a three-dimensional building or a sculpture with height, width, depth, and volume (or weight), we would use paper for planning our design . That paper is a two-dimensional space, having only width and height.
What is a Line?
How do we describe a line? How does it differ from a shape? Can a line be a shape? Can a shape be a line? A line is a mark that is longer than it is wide and is seen because it differs in value or color from its background.
As small children, the first thing we draw on a piece of paper with a marker (or crayon, or pencil) is usually a squiggly line. What we experience then is the magic of seeing “something” appear on the paper.
A line is not usually thought of as a shape, but a shape can appear linear.
Kind of Line
Line as contour. We know that in drawing, line can create shapes. As older children we probably had our first coloring books to scribble in and to help us begin identifying objects. The coloring books had simple objects drawn by simple lines-outlines. That same “outline” is called a contour line, or a line that defines the outer edges of shapes. We use it constantly to begin our drawings.
But, to quote again from Robert Henri, “In considering lines as a means of drawing, it is well to remember that the line practically does not exist in nature.”
Contour lines are also often used in map design to show water depths or land contours-different elevations and shapes of land masses-as well as in architectural renderings and interior drawing.
Kind of shapes
丫雅的酒杯 17:52:40
This is a “rose.” We know it as a “thing,” an object we all recognize. We are now going to try and think of this rose as a shape, a source for other shapes, shapes in space.
The rose (an indentification title only) can be the source for many kinds of shapes that the design world puts into categories. One such category is natural shapes-shapes as we know them in their natural state, or from the world of nature. These are familiar to us. In other references, you may see them called organic or biomorphic.
What is Value?
Value is the range of possible lightness or darkness that can be achieved with the particular medium you are employing in your design. It is a surface quality of a shape or line, such as a black line or a black shape. The range is usually thought of as the extremes from black to while and the grays in between. This means that the range available to print a photograph may reach only 18 or 19 values, or possibilities, whereas with mixing pigments for a painting, or inks for printing, it may reach a considerably higher range.
When we draw with a black pencil, we usually add what is generally called “shading,” or medium to dark strokes, to give us the required darks and lights that we see. Just as a camera using black and white film, we are making a “value” interpretation of our colored world.
Most students have problems with values, especially in drawing. The reason for this is the relativity of values and learning to see the subtleties of values. Just about every design book has a value chart-and so do we. We explain that the values are relative. But what does “relative” mean?
What is texture?
Texture is the easiest element to describe because it is a visual surface quality. We are familiar with real texture, or a TACTILE surface, meaning that “which can be felt.” The element TEXTURE on a two-dimensional surface is usually a simulated tactile surface, mentally interpreted as tactile. However, many designs have a real surface texture, which may have been created by the medium or technique used, such as “impasto” painting (using paint thickly, perhaps laid on with a palette knife); or a “collage” (a construction of various materials glued on a two-dimensional surface). Both are examples of work having real texture. Our definition of TEXTURE is “having a simulated or real tactile surface.”
What is Color?
Color is EVASIVE-CONTRADICTORY, BEAUTIFUL, SENSUOUS, RELATIVE, DECEPTIVE, CONTRARY, LOVELY, FUN, LIVELY, MYSTERIOUS AND … PULCHRITUDINOUS!
Whole books have been written about color: What it is; what it isn’t; comparative analyses; what colors look good with what other colors or color harmonies; how colors affect us mentally, emotionally, and even physically. Color has been used to sooth us, excite us, and label us. The use of so many colors is mind-boggling. But we must remember, when speaking of the basic rudiments of design, that color is another element! It must be considered as one with the other elements and used as the other elements are used.
Many academic design courses are separated into two areas: DESIGN Theory and COLOR Theory. In this book, we will keep color in perspective, and consider it as only WHAT is necessary in the practice of design.
Analysis of Designs
IN A GIVEN SPACE ARE PLACED ELEMENTS: SHAPE, VALUE, LINE, TEXTURE, COLOR
ARRANGED USING THE PRINCIPLES OF: SPACE DIVISION, BALANCE, UNIFICATION, EMPHASIS
TO GIVE US A DESIGN.
IF WE NEED HELP MAKING OUR PRINCIPLES WORK FOR US, WE HAVE SAFETY NETS OR DESIGN “DEVICES”: SCALE, PROPORTION, PACEMENT, CROPPING, TENSION, RHYTHMIC, “DEVICES”, GRIDS, PATTERNS
CAN YOU TELL WHAT TIME OR YEAR IT IS?
ARE THE PEOPLE RELAXED OR FEELING HECTIC?
IS THE WEATHER COLD? WARM?
HOW DOSE THIS PAINTING MAKE YOU FEEL?
This, then, is the way we can look at a design, critique, analyze it, and learn from it.
Once you are comfortable applying this to different designs, you realize your eye is becoming trained to see these things. It becomes easier to look at contemporary works or applied design and see how these elements and principles are really used.
Then we know if the design is GOOD or EFFECTIVE design.
Then we can decide, finally, whether or not we personally LIKE the design!
出8新ATX660
发贴日期：
2008-04-11 [ 7人评论过 ]
ATX660 购入2年左右 黑色8新左右 车况良好 骑的比较少 近半年都在车库 明盘350 13564456752 QQ87422366
PSP1000
发贴日期：
2008-04-01 [ 25人评论过 ]
PSP1000 全套美版软降带包装 成色不错没有明显磕碰 4g高速棒子 多一块原电一个布套 明盘950自取
你是个狡猾 狡猾地
翻译的真是太有才了 有句刚句 个能饿翠西还是满老率饿
怎么从BOBO的眉宇间 我看到了。。。。。
封
发贴日期：
2008-01-18 [ 32人评论过 ]
东西是全新的 就拆开看了下 型号是MP-F965R 因为可以直接放RMVB 所以号称是MP5 网上查了下 价钱大概800-900 自己也没用 就650出了 要的联系 因为是全新 所以图片就借一下吧
姚明是男人
绝绝绝绝不出了 这个解说的XX太猪头了 一脸横肉
日 只差1分 火箭雄鹿就波胆了。。。
2个月不到从20个PP 今天PP过1000了
刚刚晓得范玮琪拉男朋友是黑人一刚。。。。。
LIUXIYU算是中国20岁以下的篮球打的最好的哇？？
发贴日期：
2007-10-18 [ 0人评论过 ]
刚刚看到只有18岁一刚 就是上次360转身扣篮饿XSL
有没有TF今年考报关的？
发贴日期：
2007-09-26 [ 0人评论过 ]
以前的大学老师有门路 呵呵 4500一次过 要的射分PM 。。
不能保证什么 但是知道这个老师人还不错也在这个圈子混了很多年了
不能保证什么 但是知道这个老师人还不错也在这个圈子混了很多年了